Tag Archives: Sharon Zink

Self Editing: Eveything you need to know

I had planned a post at some point similar to this, but when I read the talented Sharon Zink’s page I decided to share it.

Sharon is an amazing writer and I have had her on my blog. She also does the same job as me in that she offers manuscript appraisals; the same level of detail.

So I decided to share this link because it really is a masterclass in writing and everything on here is exactly the kind of thing I say to clients all the time when I assess their manuscripts…

Take heed fellow scribes!

I am now about to write the homecoming chapter on Pelicans… this is exciting, it’s the final chapter when we reveal the last of the missing pieces… and it’s raining so I am loving the sounds of rain on the roof as I write! The morning goes pitter patter… ❤

Have a wonderful day everyone!

http://sharonzink.com/writing-tips/all-first-drafts-are-sht-so-heres-a-masterclass-on-self-editing/

 

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Lost In Sharonville

Don’t you just love the kinds of books that take you somewhere and leave you there. Like being dumped in the desert but you don’t just see miles and miles of sand but a whole other world — one that plays out inside your head. The fiction writers who do this deserve a medal. No matter how hard life gets, there will always be books.

The trick is for the images to play out like a film projected on your visual cortex. The language and the story unfold so seamlessly you forget you’re just reading words on a page. You’re seeing it, losing yourself inside the language, the place, the story.

The developing writers, me included, strive for this. You know it when you see it but you can’t always define it.

You can only look at the less accomplished fiction, perhaps works in progress at your writing group, to see the difference. When writers are overwordy, use too much TELLING, too much exposition, characters are stereotyped, you do not get that connection, nor do you get lost in that space. I guess you could say it’s like tripping up on the words. When author uses lots of clunky phrases, adverbs or  inventive words for said because they feel the need to remind us he’s speaking — conspiratorially (my most hated adverb!) or retorting angrily.

The skilled writer doesn’t have to remind you this is a book and here are my clever words, the words just flow like rich wine, effortless and wonderful.

SHOWING is FILMING; and done well you see a character speak, you observe the subtleties of the body language and you become part of it. No need for telling us how something’s said, we see it in the subtext and the construction. No tripping on clichés or awkward overwrites, odd sentences which say look how clever I am — no. We just become one with the work and lost in that space. And that is the mark of great writing — no matter the genre.

Right now To Kill A Mockingbird is doing that very thing to me, but another book that took me to that place recently was Sharon Zink’s powerful Welcome to Sharonville. Another writer with a small press, the wonderful Unthank Books who have also published one of my shorts and another one will be published next May in Unthology 6. The problem with the small presses is getting your work known, getting it seen by the world and it would be a travesty if this one slips through because it’s not got the power of the BIG marketing machine behind it or it costs a little more than a mass market paperback. But worth it. And there is always Kindle too.

Do yourself a favour and treat yourself. This is the kind of novel where the characters feel so real and the language so beautiful (but not overwritten) you get lost inside it. It is a literary novel, and I find the danger with some literary writing is writers feel the need to show off and make the language cumbersome. Not so here, this is divine.

Here’s the review I posted on Amazon and Goodreads and a photo from the launch. Sharon is such an interesting person and I remember sitting in the little room at New Writing South, Brighton, American flags draped on the wall (another Brit who has written an American novel hey?), goodie bag of US candies balanced on my knee, Mum at my side, and thinking this writer is so eloquent, so funny and so talented! Yes I know Sharon, but only because we were both published in the same book but I would not review the book so highly if I didn’t think it. I read many many books, a lot by friends or clients but I only review the ones I really love! I think Sharon has a career ahead that you need to watch with interest! She is humble too because she knows how tough the journey is to get to that point.

Here’s my review on Goodreads: https://www.goodreads.com/review/show/980382552

 

The launch!

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Sharon has worked long and hard for this day, like so many. It was many years in the crafting and the success all the sweeter! Well done 🙂

Highly recommended read!

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Back at my desk …

It’s been a lovely little break away for me — a rare one too! I had to work like crazy to be able to have it, but worth it in the end! And now here I am back at my desk, raring to write although I find myself with a stack of admin to sort! I am also aware I have been tagged in a couple of blog hops that I have yet to post here but I will, just perhaps not in the requested time frame. I will though! Honest!

I also have a number of talented writer guests lined up for In The Spotlight, including talented children’s writer Pauline Burgess and well-known thriller writer R J Ellory! And some others! I also want to tell you more about Sharon Zink’s debut novel and the book launch that took me to Brighton this past weekend. So bear with me — it’s all to come!

I also want to remind those in or near Chester that my signing in THIS Saturday! Woo hoo! Come along or do tell you friends! I know some of my writing group are coming along in support!

I will also be running a day-long workshop in Bangor on Saturday August 2nd (probably will be £20) getting up close and personal to your writing style — how to look at your own work critically to improve your writing and some tips on the submission  process and the publishing process itself. While the intention is to release the information mostly for the Bangor Cellar Writing Group and the Anglesey Group, if anyone else is interested let me know!

I am also looking forward to running a taster workshop/author talk to some Anglesey writers next week!

It’s all go!

So lots to come …

Have a great day everyone!

Chester Poster

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In The Spotlight: Guest Blog by Sharon Zink

I met Sharon when we our short stories were published in Unthology 3 by Unthank Books and I was at the launch in Norwich. We since made Facebook a place to hang out and I very much look forward to a weekend in Brighton this weekend where she launches her debut novel — also published by Unthank Books. She is a literary writer and like me tends to write very American novels (so there is a kindred spirit there) — so I will be reporting on her launch, but I wanted to introduce you to her first by inviting her to the spotlight now her book is released!

So without further ado, please give a warm welcome to Sharon Zink … (pause of raucous applause!)

In the Spotlight …

spotlightoj-md                                                                                              …    Sharon Zink

 

Author Sharon Zink

Author Sharon Zink

Have you always wanted to be a published writer? Tell us something about your path to having your first book/story/poem published or your most recent success.

I’ve wanted to be a writer since I was about five, scribbling stories and even an autobiography (weird kid that I was!) on the top step of the stairs. I was lucky to know what my calling was from an early age and even luckier that I had mentors who encouraged me to pursue my dreams. I dedicated my first novel, Welcome to Sharonville, partly to Bryan Ricketts, a brilliant English teacher who helped a messed up teenager become Young Poet of the Year and get my first collection, Rain in the Upper Floor Café, published when I was seventeen.

The transition from being a baby poet to a grown up one was hard though and so, once I went to university, I got caught in the grip of becoming an academic and creative writing was set aside for pretty much a decade. Bryan and I continued to correspond and he was proud of my studies, but he said to be once in a letter, “You should write” – meaning, real stuff, poems, stories. He sadly died before I started writing fiction – something I never imagined I’d ever do – but I hope he is happy now the novel is being published. I’m pretty sure he has been meddling from on high to make it happen!

My fiction writing journey is one of paradoxes really – of early successes and great luck (as with the poetry), followed by years of work and waiting. I was incredibly fortunate that the first ever story I wrote, “Lobsters” – which you can read on my website – won me the Writers Inc. Writer of the Year title and was published in their winners’ anthology. My novel, Welcome to Sharonville sprang from that story and there was a flurry of excitement as I nearly got taken on by an agent when the manuscript was only 100 pages long. But then – as is the way with my life (and probably every one else’s!) – lots of things happened which dented my confidence. Things unrelated to writing – such as multiple bereavements and falling ill with M.E. – and other more literary struggles, such as my uncertainty about dealing with the book’s opening chapter and rejections from agents, which finally led to me putting the book into a virtual drawer for a few years.

I completed my second novel (which is currently ‘resting’ and may stay that way!), but when I met Jacqui Lofthouse, the novelist and writing coach, she forced me to let her look at Sharonville (as it was titled then). I remember my relief and absolute joy when she rang me and said, “It’s brilliant! This is one of the most exciting things I’ve seen in years!”  She instantly breathed life back into a project I’d felt was permanently dead. After that, she began submitting to agents for me as a scout and I gathered courage and approached a few myself and had various near misses, plus the book was even shortlisted in the 2011 Mslexia Novel Competition out of 4000 entries. It was hard to face the rejections, but I told myself that I was getting mostly personal responses (which is unusual in the agent’s world of standard letters) and that near misses meant I was getting nearer  – but then I tried Unthank Books – the first independent publisher I’d approached – and they took the novel!

I felt like it was the perfect home for the book because of its reputation for literary fiction, but also because one of its founders, Ashley Stokes, had critiqued the first draft of the novel years before and had been so enthusiastic and positive about me completing it. I’m a writer and love symmetry, so this circling from the beginning to the end of this novel’s journey really tickles me.

Did that journey involve an agent? If not did you try to get one? Any advice about that?

As Unthank Books is a small press, I didn’t need an agent to get my novel published and this seems to be the way many first time authors get their break. Independent houses are often more willing to take risks on newcomers and those whose work doesn’t fit well with the standard genres. Because of this, I think the independent houses perform a really valid role in terms of allowing innovative writing to find readers who are still hungry for something different and often challenging. The success of many writers from small publishers in recent awards, such as the Baileys, attests to the quality of the books they are producing.

I managed to find a publisher before an agent and it does often seem like it is as hard, if not more so, to find an agent than a book deal due to the increasingly cautious nature of the publishing industry and the sheer number of writers trying to get a book out. Although I would really like a great agent and a conventional publishing deal as it’s the dream of most authors, I also write primarily to be read, so if it is a case of having an agent, but my book never seeing publication (as has been the case with several of my writer friends’ work), I would rather go to the small houses and keep getting my novels out there in people’s hands.

As a literary consultant, as well as a novelist, I would say if you are serious about getting an agent or publishing through one of the small houses, you really need to make sure your work is tip top – I’d strongly recommend hiring an editor to look at your book and the submission package. Agents and publishers are very busy people, so you only get one shot at success – don’t give them reasons to reject you due to rooky errors.

Do or did you ever belong to a writing group? Crit group? Did you ever have someone professionally critique your work before first submitting? Or do you have friends or anyone else who sees it before you send it off? Has that changed since you became a ‘successful author’?

I am a bit of a lone wolf and so haven’t really even been part of an ongoing writing group – I have attended some wonderful courses over the years though which changed my perspective, such as one at City Lit in London which made me realise that, though I was 55,000 words into my first novel, I didn’t have a plot! (Even after doing an English Literature Ph.D.!)

Generally though, I like to beaver away in privacy and then show my work to people I trust, such as well-read friends and literary consultants. Jacqui Lofthouse has been invaluable to me as she offers much-needed ego strokes for the stuff which is good, but she also challenges me when my work could be improved.

I was lucky enough to have two Arts Council Free Reads for Welcome to Sharonville and one for my second novel and would really recommend people look into that scheme as critiques can be very expensive and this scheme allows authors to access editorial advice for free or at cut price. I honestly think no one should attempt publishing – whether self-publishing or through traditional channels – without a good structural and copy edit.

Who did you first tell when you heard your first book/story had been accepted?

I can’t remember who I told about my poetry collection as that was a while back, but I screamed so loud when I got the email saying Unthank were taking my book that my cat, Muse, ran away, looking horrified!!And then I texted all my lovely friends who kept me going through the years I was waiting for this to happen and danced to “The Eye of the Tiger” (complete with hand moves). Yeah, I know.

What happened next? Can you tell us something about working with an editor? How important is that to you now – is there a lot of discussion and does the editor make a real difference to your work?

The main reason I didn’t want to self-publish is because I wanted to work with an editor and learn from that process. Even though I am an editor myself, with my own writing, I can’t see the wood from the trees, so it was good to have Robin Jones at Unthank go through the book and pick up the points where the writing could be polished. I was lucky that the novel had been critiqued by multiple people before it reached the publication stage, so a lot of the roughest edges had already been sanded down, but Robin really got the vision I had for the book and was able to put it in words in a way I never could and I gained so much from that. It wasn’t until he described my novel as being “nuanced psychological fiction” that I realised how much of my writing is about the workings of the human heart – that is a hugely important insight to be given after over a decade of writing!

Tell us something about your writing day, routine.

I wish I had a routine, but generally, life and my health issues mean I seem to work more as a “binge” writer these days. I tend to write loads at one sitting or in a few days and then pause for a while. I’d like to get back into a more regular writing pattern though as I think it helps keep your style even and generate more ideas as your mind is constantly focussed on one project. I find afternoons the best time for me as I’m more awake. I am very fortunate and have a seaview from the desk in my new flat, so I’m looking forward to settling down there and getting books three and four finished after the summer’s promotional events are over. They’re exciting though, so I can’t complain!

What or who inspires you most? Any particular people, authors, books?

It’s hard to single out one book really, but I am mainly inspired by American literary fiction – I would love to be mentored by Richard Ford as he’s a genius and was totally lovely to me when we met not long after I’d finished the first draft of my first book. I also adore Paul Auster, Lorrie Moore, Raymond Carver, Annie Proulx – I could go on all day!

I also find myself really inspired by music, TV and movies. I find scenes coming to me from song lines – Aimee Mann’s “It’s Not” inspired the ending of the first chapter in my novel, for instance, but David Lynch also deeply affected the book as I worshipped Twin Peaks and just adore his quirky take on the world in general. I often use art as prompts in my creative writing workshops, so sometimes I will look at paintings or photographs and see characters or scenes appearing in them. Images can be helpful to me in terms of generating the atmosphere of a setting and are one of the most fun parts of research.

I think all the art forms can enrich each other though, even if only in terms of allowing us a sense of belonging. I remember being amazed when I heard Talking Heads and seeing David Byrne as I suddenly knew I was part of this bigger creative family, that I wasn’t the only weirdo in the world!

I’ve always been fascinated by Marilyn Monroe for her beautiful vulnerability too – an aspect most artists need, but which makes life harder too – and Madonna for her absolute determination. She’s been very important to me in terms of the way she conveys the sense that anything is possible if you work at it – something you have to believe if you are going to work in the arts, where rejection and self-doubt are rife.

Why do you write? (Now that’s the question!) What do you want your stories to do?

Because I love words and the worlds created by them and I can’t imagine not doing it now. I could give up most things except writing.

I also write because I want to touch people with my work in the way that others’ books have touched me. Literature – especially poetry – has had a profound effect on the way I view life and helps me cope with its darker aspects, as well as bringing humour and enjoyment. If my novel could do that for one person, all the work will have been worthwhile.

How much marketing have you had to do? How comfortable are you with self-promotion?

Unthank Books provided me with a marketing assistant to help me with the legwork thankfully, but all writers – even my friends who write bestsellers – are expected to do the lion’s share of the promotional work. I’ve been very active in terms of working on the creation of websites, my new blog, The Book Diner, where I interview authors, arranging the making of the book trailer and organising the Brighton book launch and so on. I don’t think any of us is really that comfortable – at least at first – about pushing our books on social media and in other ways, but people are usually very generous when you have a big project coming out and tend to bear with you! I’ve had tremendous support from friends and others in the writing community and that makes this busy time easier.  It’s a steep learning curve as, like most writers, I don’t come from a marketing background, but I’m actually enjoying finding out more about it all and I know that, through this process, I will hopefully be much better prepared when my second novel comes out.

Tell us about the latest published work …

My debut novel, Welcome to Sharonville,  was published on June 15th —  it basically explores what happens when a young History professor, Toni Sorrentino, crashes her pickup in the Arizona desert a few days after 9/11 and the big secrets which come out in her small desert home town of Sharonville as a result.

What next? Tell us about work in progress and aspirations. Where do you see yourself in ten years’ time?

I’m currently writing my next two novels – Empiness, a literary thriller about female astronauts I was lucky enough to research at NASA, and Low Tide, a bit of seaside-set literary noir, involving mental illness, destructive relationships and a murder on a beach.

I have no idea where I will be in ten years’ time, but I would hope I’d have published a few more novels by then and found a lot of lovely readers. I hope I’m travelling the world, having adventures, surrounded by love and being happy.  I’d love to win the Bailey’s Prize as it’s a prize I really respect, but we’ll see!

Any advice for writers who are trying to get their work published?

Don’t listen to the odds, don’t listen to the naysayers, don’t send out novels to the industry before they’ve really gone through the editorial mill. Find literary consultants or literary friends who are prepared to challenge your work as well as praise. Enter competitions to help get your work noticed. Seek out a mentor who is ahead on the path and can shout back advice about the hurdles of the writing life. Treasure role models who make you feel hopeful – they can be rock stars or movie actors, but just find figures who inspire you with what is possible as a creative person. Tell yourself good things are going to happen for you artistically. Tell yourself good things are going to happen for you all over as everything is connected to your writing. Envision your victories ahead of time. See yourself succeeding in your mind – it works! Get back up after every rejection or bitchy review – expect them to come and develop a non-stick coating! Don’t let the winds of praise and blame, which the Buddha discussed, define you too much – don’t depend on external success. It’s hard not to look for validation and books are meant to be read, but the writing is the main thing always – love that process and everything else won’t get to you so much. And read, read, read – without knowing how others have pulled it off, you will find it hard to learn your craft yourself. Some people light a candle or pray before writing – rituals are helpful. Do anything to make yourself feel as safe as possible as then you’ll take more creative risks.

Tell us something random about you for the pure hell of it …

My family see ghosts – they’re like something out of a Marquez magic realist novel. My gran used to tell me how she’d told my long-gone grandfather about my school reports as if it was completely normal. That’s why one of the characters in Welcome to Sharonville, the Chinese American lingerie maker, Happiness Chong, is a ghost-seer – I had to do something with that craziness! I feel blessed to have grown up in such an interesting family – a writer needs that. My grandmother was an incredible storyteller and a lot of her tales are in the book. I just hope she is proud of me.

Which of your characters would you most like to be friends with and why?

I adore Uncle Franco, the central character in Welcome to Sharonville, as he’s basically a non-violent Tony Soprano – a huge Italian teddy bear of a man with self-esteem issues, an eating problem and enough guilt, as Tori Amos would say, to start his own religion. I love his compassion, warmth and loyalty to those he loves – loyalty is something I value highly in the people I care about and I know Franco would offer that, even if he’s prone to anger and impulsive actions. (I know it’s bad, but whaddyagonnado?)

Can we have a taster of your novel?

Of course!

Opening of Welcome to Sharonville …

Toni tapped her pickup’s cherry Kool-Aid-colored hood twice in greeting: her hand flew back, bitten by a coyote heat. Three months in New York had made her forget the egg-frying-on-the-sidewalk mood of late summer Las Vegas. She sucked on her stinging fingers and yanked the Redsmobile’s door wide with her still good limb, the enclosed heat smacking into her face like an opened umbrella. Clambering across the seat, she wound down the passenger window and set her backpack on the floor, before standing with the door ajar for a few moments, letting the truck breathe, letting herself breathe, though the difference between inside and outside was between Venus and the Sun.

She hadn’t driven for a long while, but, once seated, the pickup’s large white wheel, with its soft, rubbery indentations, felt friendly in her hands. She’d had the Redsmobile – her nickname for her 50’s Chevy truck – since she was a teenager, so there was something of comfort in gazing out over its humped dash, the ways its simple black and chrome dials eyed her as if remembering all their times together.

The engine churned  at the first turn of the key, the radio hurricaning to life–Toni punched it off. All the talk of what happened that Tuesday in Manhattan was too much and already too late, even if it was only three days ago. Those voices–grieving, bribing, selling their interpretations–reached her and yet they didn’t.

She was running home from the smashed Twin Towers, the broken city, from terrorism as never seen before, but it still seemed like she was moving under water, the blue surface jellying above as her own life’s uncertainties, like stones sewn into her clothes, dragged her down to a place where the world and its events–however bold and tragic–hardly mattered. After all, here she was, heading back to Sharonville, no nearer to finding the truth about her father or about who she really was than before she left. Some History professor she’d turned out to be.

 For all she knew, she could be the daughter of a Mafia mobster. Perhaps Uncle Franco was being honest when he claimed he’d lied to protect her, that he’d only sent her on that wild goose chase through New York’s hospitals and libraries to keep her safe.

She didn’t know who was dumber anymore–him for setting her up like that or herself for going along with it. But false names and false hope were possibly better than no hope at all.

 Toni squinted into the rear view mirror as she prepared to move off–her loose black molasses hair, usually so smooth, looped out at odd, static-stung angles following her flight from the East Coast—hours of turning and twisting in her seat to see whether hell was coming. Sleep had been out of the question, even though her eyes–usually such a dazzling amethyst-blue–were dull with exhaustion when she’d looked in her pocket mirror on the plane, a sadness which even kohl couldn’t cover.

God, she was so tired of wondering where her face came from. It was a beautiful face–even she could acknowledge that, at times–but it didn’t seem to matter when, over and over, she found herself returning to the same absence, the same lack of resemblance, the same failure of recognition. She was thirty-three and still didn’t know who she was.

Her best friend, Mila, was so similar to her mother–though you couldn’t tell her that. Mila and her mom, Aunt Happiness, were like Russian dolls, except they were Chinese American and the daughter was very much taller than the mother–the dolls going from small to large in this case. Still, in a way, she’d never really felt motherless–Betta had always been dead to her and her grief at that just walked quietly alongside her, only ever raising its voice when she witnessed generations of women shopping and laughing together in Vegas, or warm, apple-cream arms encompassing her students on the day of commencement. Uncle Franco loved her enough to assuage most moments of loss though–she even felt sometimes he loved her too much. Like his moving to Vegas when she went to college there, just to give her a home. It was generous, yes, but it also felt like she was running beneath his zeppelin-huge shadow.

And yet it wasn’t enough–even while she had this strong male figure in her life, with all his sheltering ways, she couldn’t silence the yearning to find her father. Perhaps the pull of biology was too powerful, the mystery of his name too irresistible for her inquisitive mind. Something kept tapping at her soul, gentle, but sharp, like a kitten’s playful paw. She wondered if he was alive, if he knew of her existence, if he would want to meet her and she was both terrified and electrified by the prospect , by the thought of this enigmatic man’s rejection or embracing. She needed to know the truth–and not just for herself, but for any children she might have some day.

But maybe she wouldn’t want reality when it finally came–maybe she couldn’t take it. After all, Uncle Franco swore he was ready to tell her the full story now, if only she would just go talk with him. Except now she couldn’t believe a word he said.

Toni pulled off, nodding to the security guard as the Redsmobile finally left the university parking lot after three long months, braking as she reached Tropicana Avenue. She should go to Uncle Franco’s place and figure things out–she should try to understand. That was the way he’d raised her–to be tolerant, to consider others. She loved him and so she should do this. Should. Should. Should. The accursed word of civilization, forcing people into forgivenesses they weren’t ready for, obliging them into lives which they never wanted. She “should” visit, but she wouldn’t.  That water she sensed around her–it boiled.

But she didn’t want to go back over the border to Arizona either. Mila would be working late at her office in L.A., leaving their apartment terrifyingly empty–the rising sounds and smells from the restaurant below would bang against her loneliness like a bell. And then there would be Buzz–he adored Uncle Franco and would try to persuade her to give him another chance and she was way too exhausted to justify herself again tonight.

 She pulled off in the direction of the Strip, jolting with the limousines and tour buses past Egyptian pyramids, glittering volcanoes, and the shrunken Eiffel Tower.  Her arm lolled against the side of the Redsmobile as she drove, absorbing the gaudy glory of neon names now emerging in the high desert evening which–if all else failed–would dry your tears.

Las Vegas apparently existed to prove that nothing lasts–hotels shape-shifted like aliens according to market forces; towers fell on film to become golf courses; stars lost their shine and were replaced by lions; boxers bled onto the canvas floor and crawled back up again. And that always made her feel more eternal. She remained while everything else changed–or, rather, everything changed and this told her, in its rough language, that whatever she was going through would become something else.

And if that impermanence failed to comfort you, you could always feel blessed that you weren’t the bird in the Chicken Challenge, tortured into playing tic tac toe, while being blitzed by color and the cock-a-doodle-doos of regretful gamblers. Although there were days when it felt like you were right there with them, chasing an elusive feed that would never come.

Toni took a right down Flamingo, looking into the as-yet-unleased office buildings, their empty white-lit rooms lighthouses warning of the city’s dangers. There was so much construction in Vegas, so many new beginnings. She wished she could start again. She wished she could flee through those rooms, screaming.

Toni eventually left Las Vegas as a violet dusk drifted down, the Redsmobile coughing its way toward the I-93 and the state border. It was her usual journey home, along the same road  Uncle Franco had taken before she was born. She didn’t want to see it that way, but she’d heard the story of her family origins so often, both from him and her now dead Uncle John, that it had bubblegummed to her memory. And so here it was, despite everything–a kind of dusty pilgrimage past careless trucks and distant mountains, a Passion she knew every inch of.

 

© Sharon Zink, Unthank Books, 2014. Can not be reproduced withour permission from the author and/or publisher

 

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Website:  http://www.sharonzink.com/

Thanks Sharon for the great interview and I can not wait to read this and see you at the launch!

If you want to be treated to some great writing folks, of the literary kind, get this book!

Over the next few weeks I have some more Spotlighters waiting in the wings, including the crime thriller writer, Richard and Judy selected … R J Ellory, as well as children’s writer Pauline Burgess and more … so watch this space!

Have a great day everyone!

 

 

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Being Unlit

Well here I am the other side of a fab weekend, catching up with old friends in Liverpool and Norwich and making new ones in Norwich for sure.

The Unlit Festival is a celebration of the written word and is run by Unthank Books, where ‘un’ is the operative word … new unknown writers, unconventional, unusual … but not unwelcoming and while the name says unlit, I don’t think they’re in the dark or unliterary! I know I have been ‘banging on’ about them for these past weeks as we prepared for the release of Unthology 3, but it’s worth talking about.

What I love about this publisher is the recognition of some great talent, and the appreciation that sometimes there are other ways. By this I mean a lot of wonderful writing is not picked up by the mainstream or by agents, where the decision is very much a commercial one, and sometimes things are published where let’s say it’s not always focussed on literary merit. There are grey areas, catch my drift.

I was made to feel very welcome at the York Tavern in Norwich where I met the publishers Robin Jones (former agent and soon to be a guest Blogger on this site as I thought people might find that interesting) and Ashley Stokes. I also met fellow unthologists:  Sharon Zink, Sarah Dobbs, Sandra Jensen, C D Rose and Charles Wilkinson.

While I didn’t do a reading, and nor did Charles (we decided to come along when it was all  organised) we did feel part of something very special. The readings were fabulous. And there was no doubt that this book is of exceptional standard. After the readings and a short break we launched Sarah’s novel Killing Daniel 🙂 This is literary thriller I can’t wait to read and of course I now have my signed copy. I will review it here at some point too.

It was an evening of laughter, discussion and all things writing and full of optimism for where Unthank Books is heading and I hope to stay connected to them and be published by them again.

Bridge House, like Unthank, are a very small press. I think something special happens when writers get together to create something like this. When you get the big publisher and yes I guess it’s what we ultimately seek, sometimes you will lose that intimacy and that sense of belonging. I felt part of a new family and that’s exactly how I hope the Bridge House authors also feel … and on that note I have news of our new releases this week!

So I want to say a big thank you to Unthank Books for letting us celebrate our success and for making us feel part of something new and exciting.

I raise my glass to the future and ask you all to join me … even if is breakfast time, I will  lift my mug of coffee then … here’s to writers and success, however you choose to measure it.

It’s great being a writer … init?!!

Left to right: Robin Jones (Publisher/Editor) Tommy Collin (Book designer), Sarah Dobbs (Author), Ashley Stokes (Editor/Author)

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Filed under being a successful writer, Book Launch, Bridge House Publishing, Killing Daniel Novel, Literary Fiction, Living the dream, Publishing, Sarah Dobbs, Short Stories, Unlit Festival, Unthank Books, Unthology 3