Category Archives: Writing a Psychological Thriller

The Day the World Stopped #JFK51

Tomorrow marks the 51st anniversary of that fateful day in Dallas when John F Kennedy was assassinated. Today, the Friday, is the actual day of the week, 12.30pm.

 

kennedy for president buttonjpg

From website: LINK

With the Zapruder tapes, it remains one of, if not THE, most watched and most studied murders captured on film. The very public nature of it and the conjecture that came from it, puts it up there as one of the most iconic moments in history and it sits in the top ten list of conspiracy theories; being labelled THE quintessential conspiracy theory.

Why it captured my imagination the way it did and hence became integral to my novel, I don’t know. It hit me one day what other news stories are overshadowed when something as big as this impacts on our lives. That concept inspired our On This Day short story collection at Bridge House and some later works of mine. And of course is the premise of While No One Was Watching; Eleanor Boone goes missing from the grassy knoll at that exact moment.

I know I have talked about it here before, about the role of fact in fiction, but it continues to fascinate me and I am itching to recapture that sense of time and place, as I did for Lydia and the American civil rights movement when I revisit Colourblind. This was one of my training novels and one I really want to dive back into. I know it has something.

It’s a year on since we marked the 50th anniversary with my big launch event on Canvey, a day I remember so well and so fondly, having already celebrated its release and started to get some great reaction to it with my lovely friends in North Wales as well. And it marked the start of Lydia coming into her own when I started to give readings in her voice.

And a year on, some 60 reviews later (virtually all 5 star or 4 star) and reasonable  sales (not anywhere near the figures reached with the big presses but respectable never the less) I am still plugging away. And I still hold the dream alive that one day While No One Was Watching makes it onto the BIG screen. Keep dreaming they say and I always will. Come on!

I will mark tomorrow in WHSmith in Southend-on-Sea signing books with my stars and stripes bunting and tablecloth and I might even have some candy to share! Please come and see me if you live local and consider a signed novel (£8.99 so less than a tenner!) for a Christmas present! My mission is to outdo my afternoon in Liverpool and again SELL all my books but we have more! Come on Southend –prove you can do it! Help the local lass!

And of course if you can’t make it, I have signed copies for £12 on my website if you are in the UK! It would cost more if shipping elsewhere! http://www.debzhobbs-wyatt.co.uk/Pages/BuySignedCopies.aspx

The book is on Amazon too as you know! So please add it to your lists. And what a pertinent weekend to buy it, right?

Amazon.co.uk: LINK

Amazon.com: LINK

My Goodreads Giveaway finishes Sunday so if you haven’t had a go yet — please do! LINK

I was also in the local paper yesterday so as soon as I have a copy I will also post that here!

Have a lovely weekend.

I will leave you with my book trailer again for those who haven’t seen it, or want to see it again and my poster.

 

Have a peaceful one.

Signing again!

Signing again!

RIP JFK

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When truth is elusive

Lots of thoughts buzzing this weekend as I made preparations for my talk at the Rochester Literary Festival in ten days’ time. When I wrote While No One Was Watching I realised more than any other work, that truth is not something absolute and is defined by context. Yet we would tend to believe truth is a defined thing: a fact or belief  about something known to have happened. And the lie is considered a deliberate distortion of truth. But when truth is open to interpretation and is in fact really only in the mind of the believer, and a lie is only really a lie if a deliberate act, then is there such a thing as absolute truth?

When it comes to the Kennedy assassination, the quintessential conspiracy theory, truth is perhaps even more elusive. How do you know what  to believe when you have credible books by experts, equally convincing, but saying the exact opposite thing. Is what we believe weighted by how many books we read that say lone assassin versus how many say conspiracy — is that a known entity defined by how many books are actually out there and is that a figure biased by what people actually believe — or is what we think just how many books we happened to read? #random? I mean you can’t read them all? My science brain is kicking in, having worked in research so I know how many credible sources you need to say something might be probable and the errors through biased reading before you even examine the credibility of the source and author bias — I mean, even ‘factual’ books are little more than opinion a lot of the time, not absolute truth.

So I realise that there is truth in history, the known facts — Kennedy was assassinated at 12.30pm CST, on 22nd November 1963 in Dallas Texas as we rode in his motorcade, by gunshot wounds but even when I go to write from an assassin’s bullet I realise we are not moving away from absolute truth — how many assassins? The placement of the apostrophe suddenly becomes significant. So now we enter the realms of speculation and conjecture. Probability in fact!

I amassed huge amounts of information when I did my reading for While No One Was Watching. Huge. Far more than I needed, given the assassination is a catalyst for action and yes it is integral to plot but it is not an assassination novel per se. But the scientist in me has to have all the details. But truth remained elusive. The ‘factual’ books nothing more than conjecture. And while historical novelists receive critique from historians for their ‘bad version of history’; it’s a novel, by definition it’s ‘fantasy’ ; the author executing ‘creative license’ and since it means no one really knows which part is real and which is fantasy, I propose the novelist creates their own version of truth.

Stephen King claims that ‘Fiction is the truth inside the lie.’ I like that. I like that a lot. The novel is, in its purest form ‘made-up’. But, as in my novel and just about most novels you’ll read, it still needs some facets of reality to work. In my case, fact and fiction are woven together so tightly in places you can’t see the join! So the fiction writer is not so much the fantasist but the creator of a different type of truth. The truth of the story and the role of the fiction writer is to make the reader believe.

A recent psychological study said that the way we read fiction and non-fiction is different. We tend to be far more critical about non-fiction. And if we are emotionally engaged and immersed in a story — we are far more likely to believe it. And indeed the writer of the novel has failed if their reader does not believe it, right? The rules are the rules the reader has created; an un-truth in reality, look at the alternative history novels like Mark Lawson’s Idelwild, Kennedy didn’t die that day but the reader will believe that as the ‘truth’ inside the lie — right? Of course they know here he did die. But what if the fictional elements are more subtle than that, a possibility the reader hadn’t considered before that changes his view about the historical truth?

Lydia Collins in my novel is psychic and even friends who confess to initially having reservations about a ‘psychic’ narrator, said by a page or so in they found her beguiling as a narrator and believed every word. So I did what I was supposed to, right? Phew. But what about my suggestions about what really happened that day at the grassy knoll?

So there lies the crux of the question I pose at my talk, this being the case, where the factual elements and the fictional ones are so close together, will my readers also believe, if even for a fleeting moment, that there really was a little girl called Eleanor Boone who disappeared from the grassy knoll and it had to be a plot to kill Kennedy or why else is she still missing?

The question therefore is: Do fiction writers affect what we believe about history?

What do you think? What films/books/plays etc. used real  events and changed what you believed about the real event? (Even if it wasn’t actually true.) I would love to know … for my talk! Please email me or reply to this post! writer@debzhobbs-wyatt.co.uk

Have a great day everyone.

Don't forget to book your tickets! October 1st in Kent!

Don’t forget to book your tickets! October 1st in Kent! BOOK 

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In The Spotlight Guest Post R J Ellory [Spotlight On Crime Series]

I have a very special guest in the spotlight this morning — a very special guest. R J Ellory is the author of many books, perhaps shot into the public eye when A Quiet Belief In Angels made the Richard and Judy list. I love his writing style, writing sometimes on the darker side — crime/psychological thrillers — just my bag. Well worth looking at his extensive list — not that he needs me to sing his praises, the books speak for themselves.

I met Roger (in the virtual sense) through a writing friend and we have stayed in contact. He signed his novel Bad Signs to me and I loved it. So I asked, even though I know he is SO busy, if he would share some of his journey with fellow writers (and readers.) As Roger will tell you himself, it has been a long journey and he is testament to the fight, if you want it enough and you’re prepared to work at it, you can get there. So without further ado I would like to welcome to the spotlight, author R J Ellory (pause for RAUCOUS applause) …

 

Spotlight

 

Welcome R J Ellory

 

RJ Ellory Image

“I started writing my first book, and over the next six years I wrote a total of twenty-three novels.  Once I started I couldn’t stop…”

 

Introduce yourself: Have you always wanted to be a published writer? Tell us something about your path to having your first book published.

 

Okay…well, my name is RJ (Roger Jon) Ellory, and I was first published here in the UK in 2003.  That was the end of a fifteen year-long ‘battle’ to find a publisher.  The first published book was the twenty-third I wrote, and the gap between when I first put pen to paper and first secured a publishing contract was fifteen years, taking into account that I wrote nothing for eight of those years due to accumulated ‘disappointments’ and mental exhaustion!  Of course, my own experiences are unique, and I am sure that there are great many more published authors out there who secured publication with their first or second novel, but this was just my journey and this was what it took for me.

 

Did that journey involve an agent? If not did you try to get one? Any advice about that?

 

I tried to work through an agent, and secured the services of three or four, but nothing came of it.  I think they just didn’t have the persistence that I had, and they each gave up after two or three attempts to find me a publisher.  I ultimately secured a contract with a publisher (Orion UK) directly, and my editor advised me to get an agent, recommended three or four, and even then – knowing that I already had a publishing contract with one of the most prestigious publishing companies in the UK – only one agent contacted me and met with me.  That agent is still my agent twelve books later.

 

Do or did you ever belong to a writing group?

 

No, I never belonged to a writing group.  I never had anyone read my work before I sent it off.  My wife used to read my work, and she was never anything but convinced that I would one day be published.

 

Who did you first tell when you heard your first book/story had been accepted?

 

My wife, of course.  She said, ‘About bloody time!’

 

What happened next? Can you tell us something about working with an editor? How important is that to you now – is there a lot of discussion and does the editor make a real difference to your work?

 

Working with a good editor is the same as learning any new subject.  I have studied music, graphic design, photography, all sorts of things, and working with an editor starts with the same premise.  There is a great deal of difference between writing a novel and writing a novel for public consumption.  Your editor, usually, is the first person to read your novel as an ‘audience’.  He will see holes that you didn’t see.  He will see plot weaknesses that remain unknown to you, even when you have dragged your way through two rewrites.  There is an old expression: A wise man is a man who knows he knows nothing.  I approach my working relationship with my editor on this footing, that he does know better, that he can teach me a great deal from his own experience, that he is working towards making the book as good as it can be, and I am very fortunate to have one of the finest editors working in the UK book industry.  There is no book I have written that is not better as a result of his working on it.  He advises, we discuss, I then amend, rewrite and/or edit as applicable.  After working on twelve books together, we have a system that could not be better.  Not that I have any criticism of self-publishing, but that basic and fundamental relationship between writer and editor is missing, and I do not see how a book could be as good as it could be without that external and objective critique and input, especially from someone who is vastly experienced and knows exactly what they are doing.

 

Tell us something about your writing day, routine.

For years I wrote longhand, almost three million words, but now I use a computer.  Sometimes when I’m away from home I’ll write longhand, and then transcribe when I return.  I tend to write a whole book, furiously ploughing through it, and then I go back through from start to finish and handle all the snags, anomalies, mistakes, cut back on the over-writing as best I can.  It’s kind of organic in a way, like it’s something that takes on certain character aspects of its own.  It’s like living with a bunch of people for a few weeks, and you watch them grow, watch them take control of certain elements of the story, and then when you’re done it’s like losing something.  Capote once said that finishing a story was like taking a child out into the yard and shooting them.  Perhaps a little melodramatic, but I know what he means!  When a book is finished it kind of leaves a hole in you, and then you have to start another one right away!  I am disciplined.  I start early in the day.  I try and produce three or four thousand words a day, and work on the basis of getting a first draft done in about twelve weeks.  Sometimes it takes longer, sometimes shorter.  For me a book always begins with the emotion I want to evoke in the reader.  That’s the most important thing for me.  How does a book make you feel, and does that memory stay with you?  So that’s my first consideration: the emotional effect I am trying to create.  The second thing is the location.  Location is vital for me as the location informs and influences the language, the dialect, the characters – everything.  I choose to start a book in Louisiana or New York or Washington simply because that ‘canvas’ is the best for to paint the particular picture I want to paint.  I buy a new notebook, a good quality one, because I know I’m going to be carrying it around for two or three months, and in the notebook I will write down ideas I have as I go.  Little bits of dialogue, things like that.  Sometimes I have a title, sometimes not.  I used to feel very strongly about having a good title before I started, but now – because at least half the books I’ve published have ended up with a different title – I am not so obsessive about it!  And as far as little idiosyncratic routines and superstitions are concerned, I don’t know that I actually have any that relate to starting a book.  I do have a routine when I finish a book.  I make a really good Manhattan, and then I take my family out to dinner!

 

What or who inspires you most? Any particular people, authors, books?

 

Other writers inspire me.  I spend my time finding books by writers that make me feel like a clumsy and awkward writer.  I love film, too.  Music, of course.  Artists in all areas inspire me, especially those who have had to really work hard at creating recognition for something special or unusual.  I am inspired by the achievements of people in all fields, to be honest.  The basic truth that kept me going for yeas despite many hundreds of rejection letters was a quote from Benjamin Disraeli: Success is entirely dependent upon constancy of purpose.  I also love the following words from Eleanor Roosevelt: It is never too late to become what you might have been.

 

Why do you write? (Now that’s the question!) What do you want your stories to do?

 

I was always creatively minded, right from an early age.  My primary interests were in the field of art, photography, music, such things as this.  Not until I was twenty-two did I consider the possibility of writing.  I remember having a conversation with a friend of mine about a book he was reading, and he was so enthusiastic!  I thought ‘It would be great to create that kind of an effect’.  That evening – back in November of 1987 – I started writing my first book, and over the next six years I wrote a total of twenty-three novels.  Once I started I couldn’t stop, and now I think it just took me those first twenty-two years of my life to really discover what I wanted to do.  Now it seems like such a natural part of me and I couldn’t imagine doing anything else.  As for what I am trying to achieve as a writer, for me the most important thing about any novel is the emotion it evokes.  The reason for writing about the subjects I do is simply that such subjects give me the greatest opportunity to write about real people and how they deal with real situations.  There is nothing in life more interesting than people, and one of the most interesting aspects of people is their ability to overcome difficulty and survive.  I think I write ‘human dramas’, and in those dramas I feel I have sufficient canvas to paint the whole spectrum of human emotions, and this is what captures my attention.  I once heard that non-fiction possesses, as its primary purpose, the conveying of information, whereas fiction possessed the primary purpose of evoking an emotion in the reader.  I love writers that make me feel something – an emotion, whatever it might be – but I want to feel something as I read the book.  There are millions of great books out there, all of them written very well, but they are mechanical in their plotting and style.  Three weeks after reading them you might not recall anything about them.  The books that really get me are the ones I remember months later.  I might not recall the names of the characters or the intricacies of the plot, but I remember how it made me feel.  For me, that’s all important.  The emotional connection.  Those are the books I love to read, and those are the books I am trying to write.

 

How much marketing have you had to do, even with a big publisher? How comfortable are you with self-promotion?

 

I did over one hundred and fifty library events in the first year of being published, all of them without charge.  I set up Facebook pages, Twitter pages, a website, whatever else I felt would help get my name out there.  I went to festivals, book-signings, seminars, and did anything and everything I was asked to do.  I think publishing has changed so very dramatically over the last twenty years, and the nature of how books are read (or not, as the case may be), has meant that we have had to adapt quite markedly.  It is an audio-visual age, and reading as a leisure activity seems to have declined so very much over the last decade or so.  While everyone is running around scratching their heads and trying to figure out why book sales have deteriorated so much in the UK, we seem to be ignoring the fundamental fact that literacy levels have collapsed, educational standards are at a record low, and reading for pleasure is rapidly disappearing.  It has been suggested that e-books and other digital formats have contributed to this decline, but that makes no sense as the shortfall in book sales is not being compensated for by downloads.  Also, changing the way in which books are being read does not make a non-reader into a reader.  Readers are readers, and they will read regardless of the format.  If the combined might, influence and financial power of the key publishing companies in this country devoted their energies and resources to a huge literacy and reading campaign, then they would secure their own future, both organizationally and financially.  However, it may be too late to reverse the dwindling spiral.  I hope not, for losing the book as a mainstay of entertainment, pleasure and education would be a huge tragedy.  Even though it may not sound so, I am an optimist at heart and I hope we can revive the book in the country.  We still publish more books per capita than any country in the world, and I think we carry a responsibility to maintain what we have created with our language.

 

Tell us about the latest published work …

 

The latest book (released on May 22 this year) is called Carnival of Shadows.  The blurb is as follows:

 

Kansas, 1959. A travelling carnival appears overnight in the small town of Seneca Falls, intriguing the townsfolk with acts of inexplicable magic and illusion. But when a man’s body is discovered beneath the carousel, with no clue as to his identity, FBI Special Agent Michal Travis is sent to investigate. Led by the elusive Edgar Doyle, the carnival folk range from the enigmatic to the bizarre, but none of them will give Travis a straight answer to his questions. With each new turn of the investigation, Doyle and his companions challenge Travis’s once unshakeable faith in solid facts and hard evidence. As the consequences of what has happened become ever more disturbing, Travis struggles to open his mind to a truth that defies comprehension. Will he be able to convince himself that things are not what they seem? Or will he finally reconcile himself to a new reality – one that threatens to undermine everything in which he has ever placed his trust? In his powerful, atmospheric new thriller, bestselling author R.J. Ellory introduces the weird and wonderful world of the Carnival Diablo and reveals the dark secrets that lurk at its heart.

 

 

On facebook I can be found under both Roger Jon Ellory and R J Ellory

On twitter, it’s just @rjellory

My website is www.rjellory.com

 

The book can be obtained anywhere on-line and in bookstores.

What next? Tell us about work in progress and aspirations. Where do you see yourself in ten years’ time?

 

The work I progress is a slow-burn mystery set in West Texas in the early 1970s, but there are two stories that run parallel.  The backstory, for want of a better term, is in the same town but twenty or thirty years earlier.  Very little violence, very little bad language, and the crimes perpetrated are deception, falsity, greed and jealousy.  Currently there is no title, but I am close to competing the book and we shall see what transpires!  As for where I will be in ten years’ time, I am sure that there will be another ten novels published, but I am also branching out into music, and I don’t doubt that I will have a good few albums and a few national and international tours under my belt.  That’s what I hope, for music is something I very much want to pursue as vigorously as writing.

 

Any advice for writers who are trying to get their work published?

 

Very simply the tenet from Disraeli above, and also something else that I feel is very valid, in that the worst book you could write is the one you think others might enjoy, whereas the best book you could write is the one that you feel you yourself would enjoy.  There is no formula for a good book.  You cannot predict what will be successful.  If you try to jump on a bandwagon and catch the current genres of interest, you will inevitably finish your book right about the time that the interest has waned and the public are following another thread.  True commercial success has come about as a result of writers creating their own genres and sub-genres, but writing for commercial reasons is always the very worst reason to write.  I think it was Hemingway that said, ‘Compared to writing novels, horse-racing and poker are good solid business ventures’.

 

Tell us something random about you for the pure hell of it

 

I am a guitarist and vocalist in a band called Zero Navigator.  We have just completed our first album, produced by Martin Smith of ELO, and featuring percussion by Hossam Ramzy, he of Page & Plant, Peter Gabriel, Shakira fame.  We are currently filming a video for the first single, and will be on tour soon.  I think this is a good example of Eleanor Roosevelt’s quote, ‘It’s never too late to become what you might have been’!  Our website is at http://www.zeronavigator.com

 

Which of your characters would you most like to be friends with and why?

 

I think that’s a really tough question!  There are characters who I see I would like to know, those I’d like to find out more about, those I feel sympathetic or paternal towards, those I feel could teach me a few useful lessons about life.  Actually, I think it would be interesting to raise the issue of autobiographical writing here.  How much of an author’s work is autobiographical?  I think we absorb so much from life – some of it good, some of it bad.  We take in events and circumstances, we deal with them (or not), we recover, we carry on, we try our best with everything we do.  Sometimes we get it right, other times we get it wrong.  That is life, and that is living.  As with any field of the arts – whether it be painting, sculpture, choreography, musical composition – the creator must draw on personal experience and personal perception in everything he or she creates.  I think that what we paint and what we write and what we sing are merely extensions of ourselves, and that extension grows from personal experience.  I think there are very few writers who write their own lives into novels, but I think there are a great deal who write their perceptions and conclusions and feelings about their own lives and the lives of others into the characters they create.  From that standpoint, every character I have ever created must have some small aspect of me within them…and that, in itself, could be quite a scary proposition!

 

Thank you so much Roger for being so honest and generous in your answers. You truly are testament to the journey and that if you have the talent and the belief you can make it. I am thrilled to have you in the spotlight on my blog and I am sure your story will inspire the readers of this blog. Thank you so much.

Have a great day everyone!

 

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Getting into Character

I find myself this week back in the Tenderloin district of San Francisco and then climbing the dizzying heights of Pacific Heights and down to Pier 39. Contrasting neighbourhoods. No I have not jetted off to the states again (more’s the pity) but am back in the minds of Frank and Richard in the next novel. It’s already had a fair polish but needs some overhauling and the ending is in my head but not on a page. So here I am back there. What these characters are telling me is I know Frank’s voice really well (ex con, hard but soft) and Rich is more of a challenge as he is a bit of a bumbling prof recovering from a mental breakdown.

So for me to be suddenly back with these guys feels like a real treat. I have done a lot of work on this one but now I think it’s time to get to sorted. It’s pacey and psychological this one, darker too.

Because I’ve been to San Francisco a few times, one in particular on a fact-finding mission for this book, I feel more comfortable than perhaps I Am Wolf where I have never been to Alaska or Moscow. One of things we did in San Francisco five years ago (see I said I had been working on this for a while) was walk in Golden Gate Park, ride the amazing carousel that is in the novel and wonder where a body might be found near the carousel. Yep really. But what you can’t capture from Google earth are smells and the feel of the place. So I also had my notebook and asked what scents I could pick up on — get a feel for the place in the early morning. What I love about San Francisco is the fog, very atmospheric, right?

So I must leave you now to get back into character. While Frank has his issues — and so does Rich although I think your sympathies are with him from the get-go, Frank is the likeable rogue  and so I hope all of that comes across. Well — I will have to make sure it does. Being a writer is like being a character actor.

 

AlcatrazIsland

Have a great Wednesday, y’all!

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Shiny happy thoughts

Well it was about this time last year Parthian first showed an interest in my novel, a phone call on an answer machine asking if it was still available …  and so started the year with great hopes that did not disappoint. It just got better!

This year I just heard they are ready to do a second print run of the book. Small presses do small runs so we’re not talking thousands but it does mean it is selling, and slowly getting out there.

I believe we’ve had over a thousand downloads too so it is certainly reaching beyond my sphere of friends which is what you want. Small steps and all of that. I am realistic but also an eternal optimist, bestseller, come on!

I just know 2014 will be an amazing year.

For those who missed it, here’s the interview I did over on Laura Wilkinson’s blog just after Christmas. She is also enjoying great success with two novels out this year, her sequel to All of Me her saucy fiction and also her serious novel so I will have her talking about that over here when the serious one comes out!

My Blog Hop

Have a great weekend and hope everyone was okay in the storms — stay safe and keep pets in and safe too.

And my eBook is still 99p so get it now! While you can!!!

And it is ...

Oh yes …

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Glowing in the Limelight

A little later than usual this morning as got up and got on — lots done early, mainly house cleaning!

But here I am. I’ve had a crazy few busy days since I came back but three big crits successfully delivered and can now just write today and look forward to my visit from Lee’s parents and my trip back to Essex tomorrow. I have other work lined up too so will get to that before Christmas but nice to relax a little and do what I love the most — WRITE!

I will keep this post short and sweet and leave you with the link from my interview in Glow Magazine!

GLOW

Enjoy!

Keep on LIVING THE DREAM GUYS!

Keep on LIVING THE DREAM GUYS!

 

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Getting inside your head

The aim of a truly great novel is really to get into your reader’s head. To ‘possess it’ for a while in the best possible sense. Or at least that’s my aim when I write anything.

I just love it when I can disappear into the pages of a book and lose myself for a while. People ask me, as an editor, and a writer, if I find it hard with some books to turn that off and find myself reading the book as if I’m critiquing and the short answer to that is yes — in a way. I hate it though as I think well look this is published, edited etc, so who do I think I am? But I guess it goes with the job. But then again if I can truly lose myself in a book then I see that as a measure of how great it really is.

The role of the writer is to create a world that lives in someone else’s head and what lives in one reader’s head will not be exactly the same as what lives in another’s but so long as you write it well and show what you want to show, the world you create will be pretty similar for each reader. And as I have said many times it’s so important that you connect to your readers. Or should I say — that the characters do. This is why I have such an obsession with getting voice right. For me it’s not the author the reader wants to hear but the characters and that’s why when I give readings I have to act a bit as well. (Help!)

And to effect this I truly believe the reader has to be part of the story. I have found myself working on a lot of manuscripts of late where I say SHOW it, FILM THE SCENE. What I mean is don’t tell me how a character feels or why they said something. Or even how what someone says makes them feel, SHOW it. What is so often lacking, or so it seems to me, is SUBTEXT. To complete the whole getting inside a character’s head and that total immersion I think you need, the reader has to be active not passive to the process. By this I mean they have to be watching events unfold, part of those events, rooting for the characters and trying to second-guess. It’s vital they have to work to resolve things, pick at the threads, try to work out what’s really happening in the story. If you tell them too much it becomes a much more passive process for the reader.Subtext, body language, things SHOWN allow the reader to think, to become part of solving the dilemma the novel poses and without that and too much telling, the reader becomes of a passive bystander and so the story lacks the WOW factor. This for me is why you have to SHOW and not TELL.

So, I had a busy working weekend although I did have a lovely mean in Chester with my partner in crime from Bridge House on Saturday but of course we talked writing and books! What else!

I am so looking forward to next Saturday when we have the official launch party for Wild n Free Too when I get to meet all the talented children and their families!

Tonight remember I am signing at Hintons Bookshop in Conwy and I so hope people show up! If you let me loose in a bookshop with no guests but lots of books to look at I might spend too much money!

So, best write but one final plug for the event tonight. Hope to see some of you there!

And remember -- my novel is still 99p on Kindle and made it into the top 500 Kindle books and was 94 on Crime and Mystery yesterday!

And remember — my novel is still 99p on Kindle and made it into the top 500 Kindle books (now at 344!)  and is 77  in Crime and Mystery this morning! DOWNLOAD IT! Tell all your friends!!! Thank you!

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Skewed sense of reality

Back in Wales

Debz and Book

Oh God it’s that writer person again!

A short post this morning as I find myself amid all sorts of admin things to catch up with after returning from my Essex trip, and need to clear the decks for 2 weeks of lots of writing and lots of work and promo stuff too! Exciting!

It seems slightly surreal that this time last week I was preparing for the Canvey launch event, and that it was only last week Mum and I were in the lovely city of Bath. So much seems to be happening! But some of it seems like ages ago!

It’s like when you come back from a holiday and it seems like another lifetime!

Odd being in the house without the pooch, but cats very happy! Lots of snuggles!

I will finally sort the photos of the launch and do a gallery of photos and maybe even a short video clip next week!

Also only 2 weeks until the WILD N FREE TOO launch party in London! All welcome, will do a poster and share here next week as well (need to create more time to get it all done!)

Mission for next 12 months — (waking thought this morning) get I Am Wolf and Isle of Pelicans submitted and find me an agent. You heard it here first! And a bestseller would be nice (a girl has to have a dream, doesn’t she?)

So will wish you all a great weekend!

Come along and please share if in North Wales!

Come along and please share if in North Wales!

 

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The Glorious City of Bath

Winning the Bath Short Story Award (BSSA) this year has to be one of the big highlights. It knocked my socks off to actually win something and with a story  that had some very personal meaning. It seemed other people got it, it resonated on some level and isn’t that what being a writer is all about? So this is a great feeling when you make that connection. Thanks BSSA for choosing Learning to Fly –– read it here! LINK

Jude, one of the BSSA ladies, also wears another hat, that for Writing Events Bath, so when she knew I work with developing writers and my novel was out this month, she invited me to run a workshop on writing a psychological thriller at the wonderful Mr B’s Bookshop. And I love psychological thrillers, and while While No One Was Watching isn’t exactly that, it is kind of and I call it that if I have to pigeon-hole it and of course it uses many of those devices that tap into the psyche. I  grew up reading and being influenced by such books! So I loved putting this workshop together — a pig in literary mud!

And so last week Mum and I did something we never do, we left Dad in charge of the pooch and took a little trip to Bath, and the Hilton Hotel. And what a treat we had!

This time last week in fact we were  getting ready to set off to the station, although sadly it seems like ages ago now! Want to do it again! Want to do it at lots of hotels and places! Anyone else want to hire me? He he …

The hotel, although not quite as aesthetic to look at as the other Bath buildings, is lovely and central and a very short walk to Mr B’s although we did take a rather convoluted route because the girl at the hotel wasn’t sure! But we found it and around the corner at 3,30 we also found Halls and Woodhouse, the cafe where we were kindly treated to afternoon tea by the lovely ladies from BSSA. So nice to finally put faces to names, I met Jude, Anna and Jane and from Writing Events Bath also Alex.

We had a lovely chat about all things writing and enjoyed the delights of an afternoon tea. Then we relaxed on the sofas before it was time to go to Mr B’s ready for the workshop.

 

Writing Events Bath

Jane (BSSA), Debz (some writer apparently) and Jude (BSSA and Writing Events, Bath)

I had not run this particular workshop before, with a specific genre, but as I pointed out good writing is good writing and many of the things we talked about relate to any genre — good characterisation, motivation for action, sharp narrative etc. However I did focus it on what a psychological thriller is, where it fits in the context of other thrillers and the premise of many of these novels. I will do a blog post about this as I think many would find this interesting.

We had a couple of writing exercises, one writing an opening scene or blurb to see if we could capture the essence of a good psychological thriller. And after the break we wrote a scene with tension, after a discussion of narrative devices.

We finished with a Q&A and I even signed copies of my novel, in fact we ran out of books.

People were lovely and many said it had been very helpful 🙂 I hope that what I showed was that it can be done, we can get published if we work at the craft.

I have sat through many workshops and so I did what I thought I would want from a good workshop, it needs to be two-way, interactive and they needed to know I do know what I’m talking about (most of the time!).  So it helps that I work with lots of writers and I know the common errors! And that my novel was published of course!

I had a lovely time! And am so pleased some of the writers that took part have have found me on Twitter and said they’re enjoying the novel and loved the workshop! Phew!

The following day we did a spot of sightseeing in Bath, the tour bus, the Jane Austen Centre and of course some shopping! Although I bought very little.

A nice meal in the hotel that evening, and  then we relaxed in the room.

The following morning at breakfast, who should walk in but Ade Edmondson, who had been performing with his band in Bath that night. I didn’t disturb his breakfast but I was tempted to ask him if he wanted a copy of my book! I didn’t of course!

So here are some pics guys! I wish I was still there now!

 

Bath Abbey (1)

 

 

Bath Abbey (2)

 

That writer person again, who does she think she is?

That writer person again, who does she think she is?

 

Off to talk to the lovely writing group at Canvey Library this afternoon and you can hear me on Sarah Banham’s show on local radio Saint FM from 7pm, here’s the link: SAINT FM

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What a weekend!

I just want to say a MASSIVE thank you to all those wonderful people who came along to our special launch event on Friday!

I will be sharing photos during the course of this week.  There was something really magical about holding it at a church (the one I was christened in no less!).

It felt like Christmas all day.

And when I read the review of the book in the local Echo it felt even more like Christmas day! A great review! Phew!

Echo Review 22 Nov 2013

Hair appointment in the morning and then Richard from Parthian Books arrived and came to the folks’ house. It did seem rather surreal that he, Dad and Rosie went for a walk to explore Canvey seafront while I was having my nails done. When he came back he sure knew a hell of a lot more about me than he did before! Thanks Dad!

After a light tea it was time to get ready and don another of my launch dresses. I was excited, not nervous in the least!

Lisa from The Book Inn Bookshop in Leigh was great and was there to sell copies that I signed before and after the main event itself!

I think it really worked showing the book trailer on to the huge white wall at the front of the church so it looked large right over our heads and was very well received. I will be publishing that to YouTube next week! So you will all get to see my efforts!

Then it was lovely that David Tudor, the reverend, also known as Father David Tudor, said a few words about where he was when Kennedy was assassinated and how he was at Arlington Cemetery 6 weeks before and saw Kennedy’s grave and the eternal flame that burns there. It was a very poignant thing he said about moments in time and remembering.

Then it was onto the interview with Richard and the readings and once again the African-American accent was well received!

I really enjoyed it and want to do it all again! And again!

I saw so many people there and was given flowers and champers and wine! I was amazed and grateful for the wonderful reaction I had. Also a few surprises in there, one of my clients who I’ve worked with for at least a couple of years but had never met came all the way from London! How wonderful and a shame we didn’t get to chat for longer!

Thanks everyone!

It was a wonderful evening.

I will share some of the photos friends posted on FB (thanks Paula!) and hopefully post some of the others, maybe even a short video clip from Dad as the week goes on.

I was also signing at The Book Inn the following day and have a photo of that as well.

I am attempting to try to work normally today, tomorrow I am at the library talking to the writing group and then will be on the local radio station Saint FM in the evening!

It’s a busy but truly wonderful writer’s life, but today I am itching to WRITE!

I also want to thank everyone who sent me a Where Were You? memory. I posted my favourite 3 and awarded a free signed copy to Ray for his very poignant account of that day. So a signed copy of While No One Was Watching will be on its way to the US at the end of the week! Very touching account, thank you, Ray 🙂 Read again here: https://wordznerd.wordpress.com/2013/11/22/22nd-november-1963-where-were-you/

Have a great week all!

Book Trailer

Book Trailer

Signing

Reading

Signing!

Signing!

Signing at The Book Inn

Signing at The Book Inn

So am I real writer now?

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