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Tunnel Vision

It was such a great week last week after the ‘new agent news’ and finally feeling as if I knew what I had to do next. So I found myself up and working at 5 am every day, after a break from that for a while, and fully in that zone: that fully immersive state we all relish if we can get in there! It does mean everything else falls away around you as you write, and some mornings I was aware of the hubby speaking until he probably realised I was not ‘in the room’ and off he’d go and next thing a coffee would plonk down beside my computer mouse. I have him well trained!

So edits under guidance completed along with new synopsis and off to my agent. I am now doing something I have never done before. Working out the plot intricacies of a sequel! I had always intended a sequel to this novel (not saying which one yet) but had not quite worked out what would happen. I spent three hours at 5 am scribbling and thinking. I am not there yet but something is slowly emerging! I often find I need to look the other way for a while to see it clearly as if plots like to take shape just out of shot. My mission for this week is to get something together and find my EUREKA plot moment when I realise what it has to say. And to be ready to start writing it!

Writing is a process of many stages.

  • Planning: advice? Never force it; let it come when it wants to, just nudge it along as I do not recommend waiting for your muse either.
  • Writing new material: is the really exciting part and my fingers get a buzz when I am in that zone. I think that is probably the most exciting phase. This is when the true magic happens and often things you could not have planned!
  • Editing: I relish because it helps your work to take shape and become something so much better than that first draft. And if you are lucky enough more magic creeps beautifully in 🙂

 

Many many rounds of edits later it might or might not be ready but it has to reach a point when you MUST let it go and if you have been working on the same thing for too long — rest it and write something else. We can get too close to it. My advice for anyone wanting a career as a writer and intending to find an agent and a book deal needs to let one novel go and work on a new one, especially when new to it. Get a critique, get solid editorial feedback and learn how to improve — but when you have reached that point know when to rest it and work on something new, taking those newly acquired skills with you. Agents want you for a career, not a single book. My fourth novel was the one that was finally deemed good enough to find a publisher.  But nothing is ever wasted because you have something to later work on.

So that is me, just wanted to pop by to report in mid-editing a manuscript for a client!

That is all. Happy Writing! Happy Week!

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Short Journeys

I have talked about short stories before and how important they have been to me on this journey to become ‘real writer’… that makes me think of Pinocchio I want to be a real boy… 

I think, all too often, we tend to overlook the short story form, assuming that the real success and I guess therefore the real creativity and even the real money is to be made from the novel that becomes the bestseller that becomes the Hollywood blockbuster… and so on. But short stories have also been made into movies you know. And besides, not all short stories want to grow up to be movies, do they?

I always talk about how I ‘cut my teeth’ as a writer working on the short form, and how important this was for me in terms of developing my style and honing my craft and I have spurts now of still writing short stories and sending them out. When I did that earlier this year I had three successes and two of those placements has resulted in a publication; one of which is now available to pre-order, I was runner-up! So I thought I would share a short extract of that as a teaser with some links…

Thinking in Circles

In order to understand something, we must exist outside it.
We are all made of numbers.
Aged 13, Size 8 shoes, Form 5, the 14.35.
We are all on a journey to somewhere from somewhere else with
our eyes half-closed.
And sometimes we get stuck.

You are standing there. Head tucked down; reminds me of a
penguin. The strap of your big blue school bag cuts across your blazer
and it’s as if there’s a thread attaching your head to your shoes. Not
shiny new shoes. These are scuffed, end of term Clark’s one-size-too-small
shoes; they didn’t buy new shoes. Because of what happened
over the summer.
It’s the thing – the thing no one will want to talk about – but they
will talk about it. They’ll whisper. They’ll pretend they’re not talking
about it.
People say bad news is always better when it happens to
somebody else but even when it happens to somebody else,
sometimes it’s happening to you.
You shuffle last year’s shoes to the front; to the desk you used
last year. And the year before. And the year before that. Soon they’ll
all come in and sit where they always sit and nobody will ask. But
they’ll all know.

They’ll all know because it was in the Echo. It was in the Echo
over the summer. Shock had filled up the kitchen: a line of uttered
Oh Gods.
In the sound you were sure you heard something break.
Not like a snap. Not like an ornament shattering into a million
pieces. Not like that. And not like the jolt of something stopping
suddenly, because that happens all at once. This was like a slow
unpicking along the seams.
It happened because of what happened over the summer. It
happened to your dad when he went quietly mad and your nan had to
move in.
It was in the Echo. Everyone knows. About the thing – not your
dad going quietly mad, or your nan moving in. About the thing. The
thing that happened over the summer.

The train left London at 14.35. The name on the front said
Southend Victoria…

© Debz Hobbs-Wyatt 2017, With Our Eyes Open, Published by Bausse Books October 15 2017

The book is available now for pre-order as an eBook and a paper version will follow in tine for Christmas! I will share the link again!

With Our Eyes Open

Order me…

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Friday Writing Prompt

Inspired by my talk last weekend, and thinking about the close interaction between fact and fiction, here’s a prompt for you.

Take a key moment in history; so something that ‘literally’ stopped the world, not just your world, so let’s say, as is the case in my novel, the death of a president, maybe 911, Diana’s death, Elvis… ? and then write a short piece of ‘alternative history’ as if it never happened. So you will need to use fictitious characters perhaps or make it a memoir piece where the event affected you, but now let us see what happened if something else happened instead… So, for example, JFK Airport used to be called Idlewild and, in fact, this is the name of Mark Lawson’s alternative history novel, if Kennedy had not died as he did and make him the icon he is, would the airport still be called that? In fact, that is the case in this novel; Kennedy is still alive years later. Perhaps juxtapose what might have happened with what did happen, so some of you might even want to write two versions…? I will leave that to you! Allow your imaginations to run wild… and not be idle! See what I did there 🙂 Groan!

Happy Writing!

Happy Weekend!

Happy Being YOU!

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Being a Writer :)

Logo Leicester Writes

 

Well, it looks set to be a busy second half of the year, with short stories to appear in no less than four new collections!

It starts this weekend when Mum and I will be travelling to Leicester to be part of The Leicester Writes Literary Festival! The winners’ anthology from their competition will be launched tomorrow and if anyone fancies it you can still get tickets! Here’s the link:

Winners’ Anthology Launch

I will be reading from my story We Went There. This is a new one of mine about a woman taking her dad, who suffers from dementia, to a home when she uncovers a secret… is he who she thought he was? Is she? And now she knows what will she do?

As I have so often said, writing does not have to be a lonely experience. But of course, a huge part of it is sitting alone in front of your keyboard tap-tap-tapping away! Successes are something to be celebrated since we all know how hard it is to have them, and so when you get the chance to celebrate them alongside other writers then you must!

I will be in good company with the other writers including winner C G Menon and second place Siobhan Logan, me as a humble third place 🙂 Also joined by highly commended Lynne E Blackwood and worthy runners-up: Karl Quiqley, Jack Wedgebury, Katherine Hetzel, Asha Krishna, Matthew Rhodes, Bev Haddon 🙂

Read what the judges had to say about the stories here: LINK

Judges were: writers Rebecca Burns, Divya Ghelani, Nina Stibbe, and Grace Haddon as well as bookseller, Debbie James.

It is a real honour to be part of this line-up and to have my story published by Dahlia Publishing, and edited by fellow writer and friend: Richard Sheehan. Can’t wait to meet everyone and celebrate our success! The book looks great; I have seen the proof and will read as many of the stories as I can before the event tomorrow!

We set off in the morning (so no Blog tomorrow) and then celebrate tomorrow night at the event, home Saturday afternoon. Can’t wait!

 

Leicster Writes

Do come along if you can… I will blog about it next week!

Have a great weekend everyone!

WHOO!

 

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Who Will Be My Friend?

Dreams never die and my dad is a testament to that! Some of you will know he is a Walt Disney artist (one of only a couple back when he started approved to work for Disney) and has illustrated many children’s books and comics over the years. He was a co-creator of the BBC’s Poddington Peas when he brought Paul Needs’s characters to life, some of you might remember.

I worked with him when my little press published The Jet-Set books at Paws n Claws for Born Free helping him to realise the dream of writing as well as illustrating his own characters.

Well I am thrilled to announce that he had another picture book of his illustrations and stories published this month by Chapeltown Books and how lovely this is for its illustrations and beautiful message that in today’s political climate is just what we need.

 

Who Will Be

The book is available on Amazon; here is the UK link! Dad will be doing talks in schools and has some planned at local libraries next month; this Saturday in Benfleet!

Do please spread the word… Dad taught me that age is no limit and if you have a dream… never give up!

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Finding Your Rhythm With the Short Story Form

 

Click to go to website

The pitter patter pitter patter pitter patter is back,  rain dancing on conservatory windows; tapping thoughts gently into my head as I begin another week.

I will be blogging this week about my experiences at the London Short Story Festival which has got all sorts of creative urges, urging. It is no secret my feelings and love of the good short story; a good literary, makes you think, changes something you feel about the world short story. I was treated to plenty of those by some incredible writers on Saturday and I can’t wait to do it again next year. I love this idea of daring to be bold, of using the short story form as a playground for experimenting creatively, something I have always seen it as. For me, it begins with a short story.

Short stories are different things to different people and come in many forms. For me they find a rhythm inside me and once I start writing a new one they grab me and hold me down until I write and rewrite and keep on writing until it is as near to perfection I can find; if perfection is ever truly attainable. But it’s in that search I find my bliss.

After listening to a fabulously talented panel of writers May-Lan Tan , Laura Van den Berg and Jon McGregor talk to the also highly talented Paul McVeigh about the short story and people they read I have more books to buy. It’s like my appetite has suddenly been whetted again and I think I know what my next project after Chutney needs to be, some short stories, possibly getting together a collection. I want to experiment with the form and challenge myself again. And who knows I now want to talk and be a guest at the London Short Story Festival.

I wasn’t a guest but was close to it as we saw the launch of a collection I have a new story in at the event.

It was also wonderful meeting fellow Unthologists as Saturday also saw the release of Unthology 7. These collections are a unique and interesting place to showcase what can be done in the short form. Unthank Books have now published me twice and I fully intend to submit again.

One thing I did listen to with great interest over my day at the festival was the rhythm of language and I heard some writers talk about how they used music for mood as they wrote sometimes. I only ever did this with one story interestingly; one I have yet to write in a form I want but I will. It’s about a woman finding, after all these years, the brother whose hand she let go of when she went to Auschwitz. Music plays a big part in that story because she survived because of her musicality; she played for the officers. In fact I remember having to write a memory of her playing the ‘Radetsky March’ as her best friend plodded past with heavy footsteps to the gas chambers; and she knew she had to keep playing. Keep playing. Don’t stop. Just keep playing. It wasn’t that I listened to that music, my own heart beat made that inside me, no I listened to the score of Harmony, the Manilow musical about the Comedienne Harmonists as Germany drew closer to the holocaust and there are some songs in that that evoke something powerful and enabled me to find that dark place and sustain it as I wrote. I know when I return to that story the music will instantly take me back to that place.

I liked to play in that story with the musicality, which I will revisit. Language has its own rhythm and can be explored in a musical way and I want to do more of that experimentation. When I edit it’s quite hard to explain to people the need to use rhythm but it’s in listening to other great writers, we find that rhythm and I believe that’s where you will find your true voice.

What I find interesting as well as using music as place, is using music for establishing character; I would love to use that device overtly in some form, how characters represent a certain piece of music. I think this is something that can helped deepen characterisation.

Recommendation for today:  Laura Van den Berg. I was so moved by the new story  she read on Saturday I have to try out her collections, and she has just released her first novel.

 

The way

 

Isle

 

Find Me

 

Find on Amazon

 

Tomorrow I am talking more about the short story and differences between America and the UK in how the short story form is used as a platform to debut new writers…

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Little boosts to confidence

It can be a very insecure life being a writer, especially before you start to see your work accepted.

But even when you do, if you’re like me you keep moving the goal posts and challenging yourself.

So when you have a new story accepted or published, as happened last week with Open Windows, and a writer who you greatly respect says something really complimentary (someone whose work really sits up there in the short story field) you think, wow. Really? And then you think: phew.

There are so many of us out there trying to get validation with our work, so every little comment or nice review makes a massive difference. Writing is basically something you sit and do alone and so as a writer you do sometimes think: okay great this is really working and other times you think, this is pants. That’s being a writer, that’s also very much part of process. First drafts of anything have those pants moments but the more your chisel and refine your work, you more you come to know when it is working.

Working as an editor also helps and I think one of the things I can see has really developed the more I work with writers, is being able to look at people’s plots and shapes of stories. I think getting up close and finding issues with the plot is fundamental to those big second drafts, and often we just don’t see the issues when we get too close. Story analysis is something I seem to have refined more and more as  a skill to try to help other writers, and to help my own writing of course: it’s the who, why, where, what does the protagonist want, what’s at stake and who or what is standing his way that might sound fundamental but actually make the difference between something really working or it not working as it should. Being able to pin down what’s not working and might be stopping an author getting work accepted is a vital component of my work, so I am also learning and looking for new ways to ensure this is achieved in my editing work.

Getting up close to the nitty-gritty nuts and bolts stuff once we have looked at story shape and character motivation is actually the easier part usually to put right, those clunky phrases, out of context metaphors, clichés, telling etc.

I do care about the process and my clients, so if, as happened recently with a client, it seemed they had not quite grasped something important that I felt was essential for their novel to work, I couldn’t relax until I had I arranged a call to talk about it. I feel as if I am nurturing something very personal and so it has to be right, and handled right. Your stories are after all your babies, right? So come into my world and I will be mindful of that. I think it helps that I am a writer too.

But even when you have a reasonable grasp of all of this, it still can be isolating, so when someone appreciates your work, take the compliment and let it boost your day.

Or week.

Or forever.

Have a great day everyone.

Compliments

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