Category Archives: Acknowledging who we are and why we write

Self Editing: Eveything you need to know

I had planned a post at some point similar to this, but when I read the talented Sharon Zink’s page I decided to share it.

Sharon is an amazing writer and I have had her on my blog. She also does the same job as me in that she offers manuscript appraisals; the same level of detail.

So I decided to share this link because it really is a masterclass in writing and everything on here is exactly the kind of thing I say to clients all the time when I assess their manuscripts…

Take heed fellow scribes!

I am now about to write the homecoming chapter on Pelicans… this is exciting, it’s the final chapter when we reveal the last of the missing pieces… and it’s raining so I am loving the sounds of rain on the roof as I write! The morning goes pitter patter… ❤

Have a wonderful day everyone!

http://sharonzink.com/writing-tips/all-first-drafts-are-sht-so-heres-a-masterclass-on-self-editing/

 

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Monday… yay!

Don’t be depressed, embrace this amazing new day! This is the start of a great new week and one you will love because great things are coming your way… That is all.

 

living-the-dream

 

 

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Count your blessings

I saw something on Facebook that said get a glass jar and every time something good happens write it down and fold the paper and put it in the jar. I think this is a wonderful way to think in a positive way and focus the mind to think about good things and not bad ones. I think I could count many blessings every day; that I get to do what I love, that I write lists and do everything on them; that I have the most wonderful friends, a great family, a man who tells me every day how much he loves me. I think we must all think that way.

This week as I look at it in review I have subbed Chutney with a new synopsis; finished an edit and have the report to write today, fitted in three gym classes yesterday, helped someone pass the next level of their PT course by being their guinea pig in a training session the day before, set up a JustGiving page for our gym challenge and met the lady from the charity, got banners, T-shirts and balloons and arranged a visit to the hospice; arranged to see my best mate Sunday as a pre-birthday lunch and plans with a couple of friends for lunch next week. Hopefully my poorly man will be well enough to take me out Saturday but if not then we will have to postpone the birthday celebration until he is well… that will stretch it out, right?

If we can see the good and the positive and not the negative side of life, which we all know is there, we will see that counting our blessings is a wonderful way to live and imagine the joy we will have reading those little notes in that glass jar this time next year.

That is all, have a wonderful weekend everyone… 

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Make this the year

We all know how hard it is to have work accepted; I submit less than I used to, but there was a time when I thought nothing would ever be ‘good enough’ but what I learned was to never give up… no matter what.

Over the seven years that I have been working for myself I have met so many writers at different stages of their career — and, without doubt, the ones who made it did so because they refused to give up, they took advice and they worked even harder when they were rejected.

I offer in-depth critique on short stories and novels (from flash to novel and anything in between) … this is the mainstay of my work and the thing I probably love the best. However, since editing is a multi-layered process I also offer copy editing/line editing sand final proofing. I also work on proofing, copy editing and structural editing of non-fiction and have worked on a number of self-help and mental health books and memoirs.

It never ceases to amaze me that since I left the security of the day job in science (a lot of scientific writing) to what could only be described as an ‘uncertain future’ I have never been without work (phew). I did also get taken on by Cornerstones a couple of years ago and this past year I have edited more for them too and, in particular, have really stepped up the mentoring. And that is what I wanted to talk about.

If there are any of you out there who are keen to get more ‘hands-on’ ‘on-the-job’ training then why not consider a mentoring programme with me. It would be tailored to your needs, so let’s say you are working on a novel and plan to write two chapters a month, then I could work on these first drafts and perhaps as we go on two revised chapters so it’s a chapter a week. This might be 2-3 hours per week, so based on 12-15 hours per month so let’s say discounted to £250 per month. This can involve phone calls, Skype, even the odd meet-up. If you think you might be interested I urge you to get in touch. I can make it fit with you and your needs so costs might vary. But it does require commitment and needs to based on at least 2-3 months ideally but again we can discuss this.

Please do get in touch if this appeals.

Have a look at my website! www.debzhobbs-wyatt.co.uk

Make 2017 the year!

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When You Feel The Love

Short post this morning as I smile away to myself. Recently I’ve worked on a few projects for the lovely people at Cornerstones and seem to be getting some great feedback from the authors. They tell me how valuable they have found the detailed analyses and the way I have shown them the strengths and weaknesses in plot and narrative.

Feedback on your own feedback is invaluable. It helps you  to provide the best service you  can, so I am always grateful when clients say these things; it also looks good for the agency of course and I feel proud when they notice and comment on the kind of responses I’m getting.

That is all.

Be happy. Be grateful. Love what you do.

It's a two-way thing...

It’s a two-way thing…

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Finding Your Rhythm With the Short Story Form

 

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The pitter patter pitter patter pitter patter is back,  rain dancing on conservatory windows; tapping thoughts gently into my head as I begin another week.

I will be blogging this week about my experiences at the London Short Story Festival which has got all sorts of creative urges, urging. It is no secret my feelings and love of the good short story; a good literary, makes you think, changes something you feel about the world short story. I was treated to plenty of those by some incredible writers on Saturday and I can’t wait to do it again next year. I love this idea of daring to be bold, of using the short story form as a playground for experimenting creatively, something I have always seen it as. For me, it begins with a short story.

Short stories are different things to different people and come in many forms. For me they find a rhythm inside me and once I start writing a new one they grab me and hold me down until I write and rewrite and keep on writing until it is as near to perfection I can find; if perfection is ever truly attainable. But it’s in that search I find my bliss.

After listening to a fabulously talented panel of writers May-Lan Tan , Laura Van den Berg and Jon McGregor talk to the also highly talented Paul McVeigh about the short story and people they read I have more books to buy. It’s like my appetite has suddenly been whetted again and I think I know what my next project after Chutney needs to be, some short stories, possibly getting together a collection. I want to experiment with the form and challenge myself again. And who knows I now want to talk and be a guest at the London Short Story Festival.

I wasn’t a guest but was close to it as we saw the launch of a collection I have a new story in at the event.

It was also wonderful meeting fellow Unthologists as Saturday also saw the release of Unthology 7. These collections are a unique and interesting place to showcase what can be done in the short form. Unthank Books have now published me twice and I fully intend to submit again.

One thing I did listen to with great interest over my day at the festival was the rhythm of language and I heard some writers talk about how they used music for mood as they wrote sometimes. I only ever did this with one story interestingly; one I have yet to write in a form I want but I will. It’s about a woman finding, after all these years, the brother whose hand she let go of when she went to Auschwitz. Music plays a big part in that story because she survived because of her musicality; she played for the officers. In fact I remember having to write a memory of her playing the ‘Radetsky March’ as her best friend plodded past with heavy footsteps to the gas chambers; and she knew she had to keep playing. Keep playing. Don’t stop. Just keep playing. It wasn’t that I listened to that music, my own heart beat made that inside me, no I listened to the score of Harmony, the Manilow musical about the Comedienne Harmonists as Germany drew closer to the holocaust and there are some songs in that that evoke something powerful and enabled me to find that dark place and sustain it as I wrote. I know when I return to that story the music will instantly take me back to that place.

I liked to play in that story with the musicality, which I will revisit. Language has its own rhythm and can be explored in a musical way and I want to do more of that experimentation. When I edit it’s quite hard to explain to people the need to use rhythm but it’s in listening to other great writers, we find that rhythm and I believe that’s where you will find your true voice.

What I find interesting as well as using music as place, is using music for establishing character; I would love to use that device overtly in some form, how characters represent a certain piece of music. I think this is something that can helped deepen characterisation.

Recommendation for today:  Laura Van den Berg. I was so moved by the new story  she read on Saturday I have to try out her collections, and she has just released her first novel.

 

The way

 

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Tomorrow I am talking more about the short story and differences between America and the UK in how the short story form is used as a platform to debut new writers…

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Little boosts to confidence

It can be a very insecure life being a writer, especially before you start to see your work accepted.

But even when you do, if you’re like me you keep moving the goal posts and challenging yourself.

So when you have a new story accepted or published, as happened last week with Open Windows, and a writer who you greatly respect says something really complimentary (someone whose work really sits up there in the short story field) you think, wow. Really? And then you think: phew.

There are so many of us out there trying to get validation with our work, so every little comment or nice review makes a massive difference. Writing is basically something you sit and do alone and so as a writer you do sometimes think: okay great this is really working and other times you think, this is pants. That’s being a writer, that’s also very much part of process. First drafts of anything have those pants moments but the more your chisel and refine your work, you more you come to know when it is working.

Working as an editor also helps and I think one of the things I can see has really developed the more I work with writers, is being able to look at people’s plots and shapes of stories. I think getting up close and finding issues with the plot is fundamental to those big second drafts, and often we just don’t see the issues when we get too close. Story analysis is something I seem to have refined more and more as  a skill to try to help other writers, and to help my own writing of course: it’s the who, why, where, what does the protagonist want, what’s at stake and who or what is standing his way that might sound fundamental but actually make the difference between something really working or it not working as it should. Being able to pin down what’s not working and might be stopping an author getting work accepted is a vital component of my work, so I am also learning and looking for new ways to ensure this is achieved in my editing work.

Getting up close to the nitty-gritty nuts and bolts stuff once we have looked at story shape and character motivation is actually the easier part usually to put right, those clunky phrases, out of context metaphors, clichés, telling etc.

I do care about the process and my clients, so if, as happened recently with a client, it seemed they had not quite grasped something important that I felt was essential for their novel to work, I couldn’t relax until I had I arranged a call to talk about it. I feel as if I am nurturing something very personal and so it has to be right, and handled right. Your stories are after all your babies, right? So come into my world and I will be mindful of that. I think it helps that I am a writer too.

But even when you have a reasonable grasp of all of this, it still can be isolating, so when someone appreciates your work, take the compliment and let it boost your day.

Or week.

Or forever.

Have a great day everyone.

Compliments

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